Socony-Mobil Building Reflected in the Hyatt Hotel

If this image looks very much like the one I took of 666 Fifth Avenue, there’s good reason. Both are buildings with patterned metal skin, and in both photos, the buildings are reflected in a nearby glass-curtain-wall skyscraper.

666 Fifth’s wall panels are made from aluminum, while Socony, uniquely, is sheathed in stainless steel, but the reflections are very similar.

In my previous post, I rather cavalierly dismissed “…those glass-and-steel boxes…,”  but after my 2-semester course in history of Western architecture, I’ve come to understand that not all International Style buildings are ugly and boring. So now, I’m going to have to look at them… and photograph them… with new eyes.

Reflection of terra-cotta decoration of Chanin Building in the facade of the Mobil Building on Lexington Avenue, NYC

Chanin terra-cotta design reflected in the Mobil Building

Here’s one of the things I noticed on my last trip to NYC, prior to my photo safari that day – the reflection of the Art Deco terra-cotta band of ornamentation at the 4th floor of the Chanin Building, reflected in the dark blue structural glass panels and windows of the Mobil Building, just across Lexington Avenue.

The curved segment at the bottom of the photo is part of the eyebrow arch over the lobby entrance of the Mobil Building.

I already wrote about the Chanin Building and the Mobil Building, so I won’t go into all the details again; you can just the links if you’re interested and haven’t yet read those posts.

E. 42nd Street: Socony-Mobil Building NYC Manhattan

Socony-Mobil Building on E. 42nd Street

And now for something entirely different…

Geographically, the 42-floor Socony-Mobil Building (1956) occupies the southeast corner of E. 42nd Street and Lexington Avenue, and the entire block to E. 41st Street and Third Avenue.

In terms of architectural style, it occupies a transition between the masonry-clad, wedding-cake-setback, Art Deco buildings that were common before it and the post-1960 glass-and-steel slabs of the International Style.

In fact, the architects, Harrison & Abramowitz, originally designed the structure with a masonry exterior, but completely redesigned it during 1953 and 1954 as a metal-sheathed building.

Besides the embossed surfaces, what is most unusual about the metal exterior is that it is stainless steel, rather than aluminum more commonly used. Stainless was more expensive than aluminum, but the developers had close connections to United States Steel Corporation, who wanted to promote steel as an alternative to aluminum. US Steel actually made up the extra cost of stainless. Unfortunately for them and the rest of the steel industry, stainless never caught on as a wall material for large structures.

In contrast to its older neighbors, clad in light-colored brick or terra cotta, the four-story base features dark blue structural glass. Above the fourth floor, the entire surface, other than windows, is covered with seven thousand embossed stainless steel panels.

The building was named after its original major tenant, which changed it’s name to Mobil Oil Corporation in 1966; and so the building too changed its name to the Mobil Building. The company relocated to Virginia in 1990. The property is now owned by Hiro Real Estate Company and is called 150 East 42nd Street.

According to the original marketing information for this building, one of the reasons for embossing the panels was to create a surface for which “…dirt and grime can readily be washed away by rain.” In any event, the stainless was showing its age after almost 40 years; but in 1995, the panels were thoroughly cleaned, and more than fifteen years later, the building still looks new.

Chanin Bldg at left, Socony-Mobil and Chrysler Reflected in Hyatt

This photo manages to show all four buildings at the corner of E. 42nd St. and Lexington Ave.

At left is the Chanin Building, which stands at the southwest corner of the intersection. The structure that takes up the rest of the image is the Grand Hyatt Hotel, on the northwest corner.

Reflected in the black glass facade of the Grand Hyatt are the Socony-Mobil Building, southeast corner,  and finally the Chrysler Building at the remaining corner.

Chanin, Socony-Mobil, and Chrysler are all excellent examples of “decorated” buildings; that is, they each feature unique ornamentation of some type on their exterior.

Grand Hyatt is actually a “recycled” structure; it’s reflective glass curtain walls are attached to the structure of the former Commodore Hotel. The Commodore was built for Penn Central Railroad in 1919 as part of the “Terminal City” complex centered around Grand Central Terminal. A large, H-shaped, 26-floor structure, the old Commodore wasn’t much to look at, but with it’s prime location, business was great for decades.

With the decline of the NYC economy and Penn Central’s bankruptcy in the 1970′s, the Commodore was slated to close, its fate uncertain. A young developer named Trump stepped up with an idea for reviving the building with a reflective glass “slipcover.” Except for the bottom few floors, the glass was attached right over the old masonry walls. As strange as it seems, it worked exceptionally well, as the Grand Hyatt has thrived from the beginning.

Although the Grand Hyatt redesign followed the unadorned style of the International School, it actually is beautifully adorned with the worthy reflections its neighbors.